Many years back I’d vaguely intended on doing a series of podcasts for Stylus about ‘epiphany records’, which is almost, but not quite, what this ILM thread is about. An epiphany record would always be an album which shapes your life, but not all albums which shape your life would be epiphany records; some of them creep up on you and act as trends in the development of your taste you’re your relationship with music, rather than turning points that spin your preconceptions and ears round on themselves and leave you facing a new direction.
Age 5(?): Dionne Warwick – Do You Know The Way To San Jose?
I remember hearing this on some oldies local radio program, on Saturday mornings, on the way to the supermarket. The lyric about “all the stars / who never were / are parking cars and pumping gas” meant nothing to me at that age, but stuck in my mind. I still love Bacharach’s way with a melody.
Age 10-12: Guns ‘n’ Roses – Appetite for Destruction; Marillion – Misplaced Childhood
Cassette tapes (originals, not dubs), inherited from my older brothers, and listened to over and over and over again, the way ten year olds listen. I still own a copy of the former, but not the latter. I see it as about my only guilty pleasure. I’d probably quite enjoy it if I listened to it again.
Age 14: The Beatles – Magical Mystery Tour
I got my first CD player at age 14, and stole a copy of this, and Sgt Pepper, from my dad. They were an odd pair of Beatles albums for him to own – why not the red and blue compilations? – amongst the dinner jazz and Neil Diamond and Frank Sinatra; he’s not very psychedelic. The brass, the codas, the instrumental, the basslines – this album left an indelible mark on the sonic signifiers, the aural aesthetics, that I’d respond to for the rest of my life thus far.
Age 15-16: The Stone Roses; Marvin Gaye – What’s Going On
The Stone Roses I first heard at age 10, seeping through bedroom walls, and ignored. Later, I’d hear their songs again, recognise their contours, fall in love, Carole-Anne the CD for what felt like every waking hour. (That’s a reference for Kate, if she reads this – “Carole-Anne-ing” is now a verb in my mind, and I don’t even know the source-song – ‘Carole-Anne-ing, verb. to play a song or album over and over again’.) Marvin Gaye I bought because Ian Brown said it was the greatest album ever. I don’t know if I agreed, but it certainly affected me.
Age 17: Orbital – In Sides
Other albums impacted upon me at this age – Paul’s Boutique, Post, Public Enemy, many others – as I was ravenous for sounds and sensations I’d not felt before, but this really stopped me in my tracks. I still remember, and recount, that first listen as an epiphany, as the epiphany, of my musical fandom.
Age 18: Embrace – Fireworks EP; Spiritualized – Ladies & Gentlemen; Jeff Buckley – Grace; Aphex Twin – Richard D James Album
Records that would change my listening, that would impact me on first listen, leave me open mouthed, that would challenge and confound me, that would hook me into communities and activities that would shape my life as well as my tastes, continued to come thick and fast. These are probably the key four.
Age 20-21: Primal Scream – XTRMNTR; Miles Davis – In A Silent Way
XTRMNTR felt like an important record, and epochal record, a record that would change things. I think it actually did – I can see its echoes ripple through an awful lot of 00s music, from The DFA to The Klaxons. Miles Davis, and the rest of jazz beyond him, was something I’d tasted, decided to explore, when I was 19, but which really started to click with me when I found In A Silent Way.
Age 23; Talk Talk – Spirit of Eden
I don’t remember quite how I got here, or when I first heard it. I’m pretty sure that ILM and AllMusic led the way, my ravenous research and consumption of music aided and abetted by an undemanding job which gave me free access to the internet and a huge collection of jazz vinyl to explore. This seemed like the logical culmination of that. I barely ever listen to it these days.
Age 24: Manitoba – Up In Flames
Another epiphany – this seemed, on first listen, to have been designed to fit my tastes. I ranted a review about it, and followed Dan Snaith closely from hereon in. He’s got better since, and my affection and admiration for his music has grown, but the moment I bust this out of the cellophane and stuck it in the CD player is a strong memory.
Age 25: The Necks – Drive By
We played a lot of records in the AV department in the library – Fugazi, Underworld, O Rang, John Coltrane, Captain Beefheart, Bob Dylan, De La Soul, Brian Eno, T Power, Charles Mingus, field records of religious Shaker music, and much, much more – but this was the record that was commented on more than any other, and always positively. I own about 8 of their albums now; they’re all the same, all different, but this remains the one I’ve listened to the most. So many times.
Age 28: Spoon – Ga Ga Ga Ga Ga; LCD Soundsystem – Sound of Silver
I’m not sure that any records since then have “shaped my life”; there have been so many, that the influence of any individual record seems miniscule. These two each feel important, though…
What I’ve not really dealt with here is singles – bar Dionne Warwick – even though they make up many of the epiphanies and trends of my listening. Maybe that’s for another post.